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He cites indie flicks such as “I Don’t Feel at Home in This World Anymore” and “Beasts of No Nation,” among others, as indicative of the good work that Sandler has indirectly funded. On the one hand, Rowles admitted, the bounty brought forth by Sandler has enabled Netflix to make heavy investments in all kinds of other, more serious fare. “Netflix Users Lost Half A Billion Hours Of Their Lives To Adam Sandler Movies,” complained BuzzFeed, perhaps annoyed that people had spent their time watching his movies instead of trying to guess the color of a dress or scrolling through 17 Photos Of Cats Doing Something Totally Weird You Guys OMG Better Click On It And See How Weird It Gets For Those 17 Photos LOL.īoth the most measured and also the most ludicrous of these complaints came in the same piece from Dustin Rowles at Pajiba, one of my favorite pop culture sites. “People Wasted 500 Million Hours Watching Adam Sandler Movies On Netflix,” lamented the Huffington Post. “Dear Lord, Netflix Users Have Watched Half a Billion Hours of Adam Sandler Movies,” sputtered Vanity Fair. “Netflix accuses its users of watching 500 million hours of Adam Sandler films,” the Verge said in the funniest of the headlines about America’s Adam addiction. Needless to say, there was much outrage and horror when Netflix revealed just how much Sandler #content the rubes out there were consuming. Meanwhile, the films that have come from the deal he made with Netflix to produce original content - “The Ridiculous Six” and “The Do-Over” and “Sandy Wexler,” among others - are actively despised. While there’s some appreciation for his early outré oeuvre, especially amongst those of us who were in middle school with “Happy Gilmore” and “Billy Madison” were hitting multiplexes, his later, sillier works - films such as “Just Go With It” and “Click” and “Grown Ups” and “Pixels” and “Blended” - are, generally speaking, haughtily dismissed.
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The critical corps and the movie bloggers have given us permission to praise “Punch-Drunk Love” (mostly because it’s directed by one of our darlings, Paul Thomas Anderson) and “Spanglish” sometimes we can show our appreciation for Judd Apatow’s “Funny People,” so long as we note and approve of the fact that Sandler is mocking his own career and his penchant for doing high-concept crap while also highlighting Apatow’s sexism or self-centeredness, or some other deficiency. Now, to be clear, it’s not all Adam Sandler movies we are meant to mock. And nowhere is it more grating than when the works of Adam Sandler are under discussion. Of all the Internet Smart Set’s various deficiencies, the adolescent need to sneer at the impoverished taste of the masses is among the most grating. Commentary: Film snobs should be glad Netflix is paying for Adam Sandler’s movies – The Denver Postīy Sonny Bunch, Special To The Washington Post